Chinese opera together with Greece tragic-comedy and Indian Sanskrit Opera are the three oldest dramatic art forms in the world. During the Tang Dynasty (618 – 907), the Emperor Taizong established an opera school with the poetic name Liyuan (Pear Garden). From that time on, performers of Chinese opera were referred to as 'disciples of the pear garden'. Since the Yuan Dynasty (1271 - 1368) Chinese opera has been encouraged by court officials and emperors and has become a traditional art form. During the Qing Dynasty (1644 - 1911), Chinese opera became fashionable among ordinary people. Performances were watched in tearooms, restaurants, and even around makeshift stages.
Chinese opera evolved from folk songs, dances,
talking, antimasque, and especially distinctive dialectical music. Gradually it
combined music, art and literature into one performance on the stage.
Accompanied by traditional musical instruments like the Erhu, the gong, and the
lute, actors present unique melodies - which may sound strange to foreigners -
as well as dialogues which are beautifully written and of high literary value.
These dialogs also promoted the development of distinct literary styles, such as
Zaju in the Yuan Dynasty. For Chinese, especially older folks, to listen to this
kind of opera is a real pleasure. What appeals to foreigners most might be the
different styles of facial make-up, which is one of the highlights of Chinese
opera and requires distinctive techniques of painting. Exaggerated designs are
painted on each performer's face to symbolize a character's personality, role,
and fate. This technique may have originated from ancient religions and dance.
Audiences who are familiar with opera can know the story by observing the facial
painting as well as the costumes. Generally, a red face represents loyalty and
bravery; a black face, valor; yellow and white faces, duplicity; and golden and
silver faces, mystery. Besides color, lines also function as symbols. For
example, a figure can be painted either all white on his face, or just around
the nose. The larger the white area painted, the more viperous the
role. Another technique that fascinates people is the
marvelous acrobatics. Players can make fire spray out of their mouths when they
act as spirits, or can gallop while squatting to act as a dwarf. This reflects a
saying among actors: 'One minute's performance on the stage takes ten years'
practice behind the scenes.' Over the past 800 years, Chinese opera has evolved
into many different regional varieties based on local traits and accents. Today,
there are over 300 dazzling regional opera styles. Kun opera, which originated
around Jiangsu Province, is a typical ancient opera style and features
gentleness and clearness. This enabled it to be ranked among the World Oral and
Intangible Heritages. Qinqiang opera from Shaanxi, known for its loudness and
wildness, and Yu opera, Yue opera, and Huangmei Opera are all very enjoyable.
Beijing Opera , the best-known Chinese opera style, was formed from the mingling
of these regional styles.
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